募集要項・応募フォーム
JP / EN

Project

Ten Professionals Connecting
Japanese KOGEI with the World.

目玉くんJr

Building bridges that have never existed—between Japan and the world,
and between the market and academia.

Japanese crafts and classical arts, born from the refined skills of artisans, are invaluable cultural assets supported by a history spanning more than a thousand years. However, in recent years, they have faced numerous challenges: a shrinking domestic market, a shortage of successors, limited information transparency, and a lack of international outreach.
While Japan is home to many highly creative artists, there is a severe shortage of specialists who can research, critique, and connect their work to meaningful recognition, as well as professionals who can bridge the gap between markets and academic fields—interpreting and transmitting the value of these works both domestically and globally.
Establishing a sustainable framework for international development has thus become an urgent priority.

Nurturing KOGEI Art Producers and opening new horizons for the future of crafts and classical arts.

In response to the above-mentioned challenges, the Tokyo Art Club—an organization that has supported the advancement of Japanese art for more than 120 years—has launched the KOGEI Art Producer Development Project (known as KOGEI GENE).
Drawing on its accumulated expertise and extensive network, the Club leads this initiative to cultivate the professionals needed to meet these pressing challenges. Starting in April 2026, the Tokyo Art Club will host a comprehensive training program that includes seminars and hands-on practice. In addition to lectures by leading experts in Japan, the program will offer opportunities for overseas study and other experiences designed to cultivate a global perspective.
Through this combination of study and practical engagement, the project aims to foster a new generation of producers capable of reinterpreting and conveying the value of Japanese crafts and classical arts to the world in innovative ways.

Project Roadmap

Project Roadmap

Starting in April 2026, the Tokyo Art Club will launch a training program that combines seminars with hands-on learning opportunities. In addition to lectures by leading experts in Japan, the program will provide international experiences such as overseas study and exchange, fostering a global perspective.
Through these combined elements of study and practice, the project aims to cultivate a new generation of producers who can reinterpret and communicate the value of Japanese crafts and classical arts to the world in innovative ways.

目玉くんJr
Phase
1
Open Call and Selection
Alongside the public announcement of the program’s vision and model, the initiative will be widely introduced through exhibitions and related events. Applications will be accepted through an open call, and participants will be selected following a review process.
Phase
2
Training and Development
Once the program hub is established, the training program will begin, featuring lectures, workshops, and field experiences. Participants will deepen their practical learning through hands-on training, research, and presentations both in Japan and abroad.
Phase
3
Presentation and Exchange
The outcomes of the program will be showcased through exhibitions, public seminars, and special projects held both domestically and internationally. Through ongoing global exchange, the value of Japanese crafts will be shared and expanded in diverse forms.
Phase
4
Advancement and Co-Creation
Building on the program’s foundation, new themes and courses will be developed, leading to certification systems and collaborative projects. By fostering exchange with international and cross-disciplinary artists, the project will continue to evolve.

Please note: The program content and schedule are subject to change depending on circumstances.

Advisors

Advisors

In this project, we welcome distinguished experts with specialized knowledge and extensive experience as advisors.
Through their multifaceted perspectives contributing to the advancement of culture and the arts, we will promote the development of KOGEI Art Producers.

秋元 雄史

Yuji Akimoto

Professor Emeritus, Tokyo University of the Arts Executive Advisor, 21st Century Museum of Contemporary Art, Kanazawa Honorary Professor, Tainan National University of the Arts Art Critic

After graduating from the Faculty of Fine Arts at Tokyo University of the Arts, Yuji Akimoto was involved in the Naoshima Art Project from 1991 to 2006.He later served as Director of the Chichu Art Museum, Director of the 21st Century Museum of Contemporary Art, Kanazawa, and Director and Professor at The University Art Museum, Tokyo University of the Arts.
His major projects include the Kanazawa World Crafts Triennale, Japonismes 2018:
Yuichi Inoue in France, and Future of Crafts. Currently, he directs GO FOR KOGEI, a regional art initiative celebrating the vitality of crafts and contemporary art in Japan.

大林 剛郎

Takeo Obayashi

Chairman of the Board, Obayashi Corporation
Chairman, The Obayashi Foundation

Takeo Obayashi graduated from Keio University and joined Obayashi Corporation in 1977.
After serving in various leadership positions, he was appointed Chairman in 2009 and currently serves as Chairman of the Board of Obayashi Corporation. He is also the Chairman of The Obayashi Foundation, which supports architectural research and cultural initiatives in Japan and abroad.
Widely known as a discerning collector and supporter of contemporary art, Mr Obayashi serves on the International Councils of the Museum of Modern Art in New York and Tate in London.
His perspective bridges architecture, culture, and art, reflecting a lifelong engagement with creativity and innovation.

山口 桂

Katsura Yamaguchi

Managing Director, Christie’s Japan

After graduating from the Department of Letters, College of Arts, Rikkyo University, Mr Yamaguchi began his career in the advertising industry before joining Christie’s in 1994.
He later served at Christie’s New York, where he led the Asian Art Department and achieved numerous landmark results in the international art market.
Appointed Managing Director of Christie’s Japan in October 2018, he continues to share Japan’s artistic heritage with audiences around the world through his deep expertise and global perspective.

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